This version of the famous Israeli rescue of hostages from the hijacked Air France plane should be known for its hard-left slant and its glaring omissions. Written by Gregory Burke and directed by Jose Padilha, its main purpose is to humanize the hijackers and to trace all of Israel’s current problems to ITS failure to negotiate with peace-loving, occupied Palestinians. Here are some of the facts this movie does not contain.
NY State has just granted parole to one of three killers in the Black Liberation Army who in 1971 shot two cops in the back, shooting one 22 times as he pleaded for his life. The three member State Parole Board claimed that the 70 year old prisoner had finally taken responsibility for his actions and expressed regret and remorse for his crimes. Think of that standard compared with the Metropolitan Opera firing 74 year old James Levine for incidents of purported sexual harassment which took place many decades ago and were not reported until years after. Think of the 83 year old architect Richard Meier whose exhibition of collages was just canceled by Sotheby’s and whose gift to his alma mater Cornell was similarly declined due to allegations of sexual harassment, which included the affront to one of his assistants in having to look at images of female genitalia in the collages.
Currently, whites still comprise the majority of our population; Hispanics are over 17%, Blacks are 14%, Asians are 6% and Native Americans are 2%. But if Mr. Scott is referring to how this country looks, he should consider that at least 33% of our population is obese, 8% are disabled, 3% are LGBTQ and 3% are anorexic. If we’re insisting that diversity represent an accurate picture of America, then surely the 33% obese demands greater representation in our films than the handful of actors he can name. And surely there should be many more of these people in all walks of life, just as we have insisted on portraying blacks, gays and women.
Viewing this movie right before the Oscars and anticipating all the virtucrat blather about MeToo, TimesUp and Parkland, one is forced to react strongly to the heavy dose of pornography and violence on screen. Don’t see this if you might be upset by people having their limbs broken, their heads and torsos bashed with a heavy metal object, their skin flayed, their bodies raped, their necks choked, and of course lots of shooting to kill. In fact, this movie is the equivalent of the assault rifle capable of discharging ten or twenty times more firepower than you ever thought possible.